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Songs From a Hollow
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Wandjuk Marika in Port Moresby Didjeridu Solo Side 1 only Recorded at the National
Broadcasting Commission 25th Febuary, 1976. First published by Larrikin
Records 1977, Institute of Papua New Guinea Studies. Any rights and
copyrights traditional or otherwise associated with this recording must be
respected. This was originally pressed as a 45 rpm extended play disc. I am
only providing side 1 so others may have an example of the music and
culture. If you wish to acquire the complete album I suggest you try
to purchase from one of the reputable sellers of this sort of recording. WARNING persons no longer living may be presented in pictures or recordings on this page. |
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DOWNLOAD this recording in mp3 format: Browser methods may differ, but using MS Explorer, "right click" this link and then select "save target as" Save to your desktop or the location of your choice. Download Wandjuk Marika in Port Moresby Side 1 This download is approximately 4.5 mb |
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| From
the album inner notes: Wandjuk Marika is a ceremonial leader of the Riratjingu clan of North East Arnhem Land and Chairman of the Aboriginal Arts Board of the Australia Council. He was born about 1930 in what was then the small mission settlement of Yirrkala. This has since become one of the most important stuggles for ownership of land by traditional Aborigines, and the site of the huge bauxite mine, Nabalco. Wandjuk Marika nd his people have been catapulted into confrontation with an industrialised society and in the process they have emerged with a great degree of strength and political and social cohesion. Traditional culture remains a vital part of life in Eastern Arnhem Land, and the stories of the exploits of the ancestral beings of the Dreamtime such as the Djanggawul and the Wawilak Sisters providing the basis for lengthy ceremonial cycles involving ritual and social obligations covering every aspect of life from birth to death. Wandjuk Marika learnt to play the didjeridu as a small boy from his father, Mawalan, who was a great and respected ceremonial leader, and who passed on to Wandjuk his knowledge of the sacred lore, the ceremonies, and the sacred designs, just as Wandjuk is training his own sons today. He says: "We realise the old way will never return, but we believe that much of our music, songs, dance and art can and must be preserved as a vital part of the culture of mankind." |
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| SIDE
ONE
(a) Dangultji-the Brolga. A secular camp dance in which the performers, particularly children, imitate the behaviour of the brolga. (b) Malwiyi-the Emu A camp dance about the emu, Australia's largest bird. It is flightless and may grow to 1.8 m in height. The Aborigines hunt them for food and relish their large green eggs. (c) The Wawlilak Story-The Wawilak myth gives rise to a most important cycle of ceremonies in North East Arnhem Land. In the Dreamtime the two Wawilak sisters, one of them pregnant, travelled over the land and finally came to rest by a lagoon where they built a shade for the birth. One of the sisters was gathering paperbark when she accidentally polluted the pool wherein dwelt the Lightning Serpent, a huge snake which could reach from the heavens to the earth. In a fury he sent a black cloud overhead, and torrential rain. The sisters cried out and danced to appease him but it was to no avail, and he swallowed them. The Wawilak sisters are the Creation Sisters-they gave rise to the present Aboriginal population. (I) The first solo accompanies the Wawilak song which tells of the girls travels before they reach the pool. (II) The second solo accompanies the Wawilak song which tells of the torrentia rain sent by the Lightning Serpent. Note: The information on the music is taken from Wandjuk Marika's own explanations. The spelling is his own preference. |
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| Misc tech stuff: These recordings were transferred from the original vinyl LP format using a Thorens TD-160 turntable with a SME 3009 II Improved tone-arm fitted with an ADC XLM-III Imp cartridge and stylus. The phono pre-amp is a hand wired electron valve (vacuum tube) type using a 6922 dual triode per channel. The line stage that feeds the computer is a hand wired vacuum tube topology using 1 dual 6201 (12AT7) triode. The computer is an AMD Athlon based system using a line level input to a SoundBlaster Live sound card. Software used through out this project is Audacity. I believe that this arrangement allows me to make the best quality recordings I can within my limited financial capabilities. | ||